Theo James reveals his preference for a relaxed, intuitive style of cooking, eschewing precise measurements for a more 'vibe-based' method. This laid-back philosophy is perfectly embodied in his favored Northern Italian dish, burro e parmigiano, a simple yet deeply satisfying meal he enjoys preparing for his children.
Despite his informal cooking style, James emphasizes the crucial role of high-quality ingredients. His adaptation of burro e parmigiano, inspired by his East London restaurant Ornella, relies on robust dark chicken stock, aged Parmesan, and fresh tagliatelle, demonstrating that exceptional ingredients are the foundation of truly delicious, straightforward cuisine.
James's culinary journey is further enriched by his co-star, Kaya Scodelario, from Guy Ritchie's series 'The Gentlemen.' Scodelario, also a keen cook, joins him in a video demonstration, showcasing their shared enthusiasm for food and the delightful camaraderie that cooking together brings.
Both actors share anecdotes from their past lives in the food service industry. James recounts a memorable, if slightly disastrous, stint as a waiter, while Scodelario, despite never having worked in service, humorously reflects on playing a clumsy waitress on screen.
The conversation shifts to the intriguing world of film set catering. Scodelario recalls a scene involving an abundance of food, where her indulgence in deep-fried Oreos led to an eventful experience. This segues into a discussion about the stark contrast between British and American craft services, with the latter praised for its lavish and diverse offerings.
A lighthearted debate ensues regarding the practice of eating in bed. Scodelario openly embraces the idea, while James expresses a strong aversion, sparking a comical exchange about personal preferences and the often-unromantic realities of breakfast in bed.
Pondering a hypothetical restaurant owned by 'The Gentlemen' cast, James envisions Scodelario as a meticulous manager (a role she rejects), while Scodelario playfully assigns James the role of a stressed but talented chef who avoids public interaction, alongside Joely Richardson as the welcoming front-of-house presence.
Scodelario warmly shares her family's rich Brazilian food traditions, including a Christmas Eve celebration centered around traditional dishes like feijoada. She highlights how food serves as a vital bridge for her children to connect with their cultural heritage, a sentiment James appreciates, despite his own family's more understated Greek culinary background.
The conversation culminates in a vivid comparison of craft services across the Atlantic. James and Scodelario humorously lament the meager offerings on British sets—often just a kettle and stale biscuits—contrasting them with the elaborate, artful spreads found on American productions, which they jokingly admit is a highlight of working in the U.S.
In a final playful segment, the duo imagines themselves as food dishes. James jokingly assigns Scodelario the identity of six chicken nuggets, while she, in turn, describes him as something simple yet delicious, much like his beloved burro e parmigiano, leading to a humorous exchange about their personalities reflected through food.
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